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The Korg DW-8000 synthesizer was an eight-voice polyphonic hybrid digital-analog synthesizer 61-note keyboard instrument released in 1985. By the time of its launch Korg had already begun a common trend in 1980s synthesizer design: using numerical codes to access or change parameters (synth "voice", tone, etc) with the Korg Poly-61, which was widely regarded as the company's first 'knobless' synthesizer. This was a move away from the heavily laden, complex control panels of earlier designs.
A more unusual feature of the instrument for the time was the use of single-cycle digital waveforms as the basic building block of sound synthesis, and the inclusion of a digital delay effect. This latter feature was one significant factor in the relative success of the DW-8000 compared to the DW-6000 released the same year. It was released after the cheaper model, the Korg DW-6000 synthesizer.
Physical characteristics
Physically, the instrument used a 61-note synthesizer action keyboard. "Synthesizer action" means that it did not have weighted or semi-weighted keys, a common feature on stage pianos marketed at pianists. The DW-8000 keys were velocity sensitive. As such, a light press triggered a quieter sound and a hard press triggered a louder sound. As well, its keys could sense channel-pressure aftertouch as well. Aftertouch is the placing of pressure on keys after the initial striking or pressing of the keys. On a digital keyboard with aftertouch sensitivity, when the performer continues to press the keys, the aftertouch sensors send a message to the synth module; depending on the programming of the synth patch and/or the settings selected by the performer, aftertouch can trigger a digital effect (e.g., vibrato) or a change in the timbre (tone colour). The keyboard sends aftertouch messages via MIDI if required.
A four-way joystick was provided to control low-frequency oscillation (LFO) modulation as well as pitch bending. Pulling the joystick bender towards you also allowed control over voltage-controlled filter (VCF) as well. Around the back panel are jacks for headphones, stereo line out (to plug into a keyboard amplifier, PA system, mixing board, etc.), pedal inputs for damper, portamento and "program up" are provided. Also available are two sockets for tape recorder interface to facilitate offline patch backup and storage of sounds and other data. Electrical power was supplied via a two-pin IEC C9-type connection cable rather than the rather more ubiquitous C13 type, which can potentially be a source of frustration if lost.
Depeche Mode
Geoff Nicholls of Black Sabbath
Joe Zawinul
Keith Emerson—used during his tenure with Emerson, Lake & Powell (for example, his solo in the song "Love Blind")
Ulf Langheinrich
Kevin Moore of Dream Theater
Lyle Mays of Pat Metheny Group
Lux Voltaire
Simian Sound Source
Rhythm Plate
Tony Kaye of Yes
Jake Chudnow
Virus (Argentine band)
Minoru Mukaiya of Casiopea
NTRSN
Dunkelblau
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